When i first arrived to Budapest, I walked around the flee markets and knickknack shops searching for old cheap ruined cameras. I started to shoot some photos in daily situations and when I developed the films, using a mixture of colour lab and lo-fi scanning, i discovered a new world of expressive imperfection that was impossible to achieve with more sofisticated equipment. Since then, I combine more traditional works with this impulsive photographs, which the only self desire of register on the screen those vanishing memories, those inexplicable feelings of unshareable moments, from a chaotic, theatrical and intense life, which is, on the other hand, as mediocre as any other.
